{"id":19128,"date":"2021-04-02T00:31:08","date_gmt":"2021-04-02T04:31:08","guid":{"rendered":"https:\/\/www.rebeccaruppresources.com\/blog\/?p=19128"},"modified":"2021-04-15T16:02:48","modified_gmt":"2021-04-15T20:02:48","slug":"native-americans","status":"publish","type":"post","link":"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/","title":{"rendered":"Native Americans"},"content":{"rendered":"\n<p>Native American history, historically, has been poorly taught in our schools, if at all.<\/p>\n<p>Anna Diamond, in an article in Smithsonian Magazine, <a href=\"https:\/\/www.smithsonianmag.com\/smithsonian-institution\/inside-new-effort-change-what-schools-teach-about-native-american-history-180973166\/\">Inside a New Effort to Change What Schools Teach About Native American History<\/a>, writes: \u201cMost students across the United States don\u2019t get comprehensive, thoughtful, or even accurate education in Native American history and culture. A 2015 study by researchers at Pennsylvania State University found that 87 percent of content taught about Native Americans includes only pre-1900 context. And 27 states did not name an individual Native American in their history standards.\u201d<\/p>\n<p>Native American history is a rich, as well as a painful and tragic. story &#8211; and one we all need to know. It&#8217;s more than time for a change.<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 497px;\">\n<tbody>\n<tr style=\"height: 21px;\">\n<td style=\"width: 46.0345%; height: 21px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19184\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/lies-my-teacher-told-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/lies-my-teacher-told-196x300.jpg 196w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/lies-my-teacher-told.jpg 326w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/td>\n<td style=\"width: 53.9655%; height: 21px;\">\n<p>James W. Loewen\u2019s <em>Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong <\/em>(New Press, 2018) is a best-selling plea for truth in history education, including compelling chapters on the traditional teaching of Native American history. \u201cHistorically, American Indians have been the most lied-about subset of our population,\u201d writes Loewen.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 46.0345%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19144\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/broken-flute-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/broken-flute-225x300.jpg 225w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/broken-flute-768x1024.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/broken-flute.jpg 1020w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/td>\n<td style=\"width: 53.9655%; height: 317px;\">\n<p>Edited by Doris Searle and Beverly Slapin<em>, A Broken Flute: The Native Experience in Books for Children<\/em> (AltaMira Press, 2006) is a compilation of essays and poems about negative or false portrayals of Native Americans in literature along with hundreds of critical reviews of books for kids and teens. A valuable resource.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 159px;\">\n<td style=\"width: 46.0345%; height: 159px;\">\u00a0<\/td>\n<td style=\"width: 53.9655%; height: 159px;\">\n<p>The <a href=\"https:\/\/americanindiansinchildrensliterature.blogspot.com\/\">American Indians in Children\u2019s Literature<\/a> blog provides critical reviews of books for children and young adults featuring indigenous peoples and cultures.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_82_2 ez-toc-wrap-left counter-hierarchy ez-toc-counter ez-toc-transparent ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-69e97135cb360\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-69e97135cb360\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/#Native_American_History\" >Native American History<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/2\/#Folktales_Myths_and_Legends\" >Folktales, Myths, and Legends<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/2\/#Native_American_Life\" >Native American Life<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/3\/#Native_Americans_in_Fiction\" >Native Americans in Fiction<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/3\/#Two_Kinds_of_Captives\" >Two Kinds of Captives<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/3\/#Native_Americans_in_Fantasy\" >Native Americans in Fantasy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/4\/#Famous_Native_Americans\" >Famous Native Americans<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/4\/#Native_American_Poetry\" >Native American Poetry<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/5\/#Native_Americans_in_the_Movies\" >Native Americans in the Movies<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.rebeccaruppresources.com\/blog\/native-americans\/5\/#Arts_Crafts_Activities\" >Arts, Crafts, Activities<\/a><\/li><\/ul><\/nav><\/div>\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Native_American_History\"><\/span>Native American History<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 6797px;\">\n<tbody>\n<tr style=\"height: 262px;\">\n<td style=\"width: 45.1724%; height: 262px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19151\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/corn-is-maize-300x284.jpg\" alt=\"\" width=\"300\" height=\"284\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/corn-is-maize-300x284.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/corn-is-maize.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 262px;\">\n<p>Aliki\u2019s <em>Corn is Maize: The Gift of the Indians<\/em> (HarperCollins, 1996) is a simple and charmingly illustrated story of the history and science of corn. For ages 4-8.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 384px;\">\n<td style=\"width: 45.1724%; height: 384px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19174\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/if-you-lived-with-iroquois-300x248.jpg\" alt=\"\" width=\"300\" height=\"248\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/if-you-lived-with-iroquois-300x248.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/if-you-lived-with-iroquois.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 384px;\">\n<p>Scholastic\u2019s If You Lived\u2026series is written in a question-and-answer format that makes for a conversational and interactive read. Among the titles are <em>If You Lived With the Iroquois<\/em> (Ellen Levine, 1999), <em>If You Lived With the Sioux Indians<\/em> (Ann McGovern, 1992), <em>If You Lived With the Cherokees<\/em> (Peter and Connie Roop, 1998), <em>If You Lived With the Hopi Indians<\/em> (Anne Kamma, 1999), and more. Questions include: What did you wear? Who was your family? What would your house be like? What jobs did you do? Who were your enemies? What games did you play? For ages 6-10.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19211\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/true-book-indians-246x300.jpg\" alt=\"\" width=\"246\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/true-book-indians-246x300.jpg 246w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/true-book-indians.jpg 492w\" sizes=\"auto, (max-width: 246px) 100vw, 246px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>The True Books: American Indian series (Children\u2019s Press) consists of 48-page picture-book introductions to many Native American tribes, illustrated with color photographs. Many titles including <em>The Pueblo<\/em>, <em>The Navajo<\/em>, <em>The Inuit<\/em>, <em>The Wampanoag<\/em>, <em>The Apache<\/em>, <em>The Hopi<\/em>, and more. For ages 7-10.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19164\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/explore-native-american-cultures-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/explore-native-american-cultures-240x300.jpg 240w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/explore-native-american-cultures.jpg 504w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Anita Yasuda, <em>Explore Native American Cultures!<\/em> (Nomad, 2013) introduces readers to seven major North American cultural regions, with background information, \u201cWords to Know\u201d boxes, catchy facts, and 25 hands-on projects, among them making a turtle shell rattle, a bear-claw necklace, a wampum belt, and a birchbark canoe. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19163\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/encounter-245x300.jpg\" alt=\"\" width=\"245\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/encounter-245x300.jpg 245w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/encounter.jpg 409w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>Jane Yolen\u2019s <em>Encounter<\/em> (HMH, 1996), illustrated with detailed paintings by David Shannon, is an indigenous view of the story of Columbus, told from the point of view of a young Taino boy \u2013 who, after a frightening prophetic dream, tries to warn his people against the strangers. His warning is ignored \u2013 and many years later, as an old man, he tells of the destruction of his people and their culture. A picture book for ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19188\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/morning-girl-185x300.jpg\" alt=\"\" width=\"185\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/morning-girl-185x300.jpg 185w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/morning-girl.jpg 369w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Michael Dorris, <em>Morning Girl<\/em> (Little, Brown, 1999) is the story of siblings Morning Girl and Star Boy, growing up in the lovely world of their Caribbean island in the fatal year 1492. It ends as Morning Girl welcomes a boatload of strange visitors \u2013 and an epilogue, from Columbus\u2019s diary, ominously indicates what the future holds. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19187\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/mary-and-trail-of-tears-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/mary-and-trail-of-tears-213x300.jpg 213w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/mary-and-trail-of-tears.jpg 355w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>One of the Girls Survive series, <em>Mary and the Trail of Tears<\/em> by Andrea L. Rogers (Capstone, 2020) is the story of 12-year-old Mary and her Cherokee family, forced from their home in Georgia by the U.S. Army and sent on a forced march to Indian Territory via what came to be called the Trail of Tears. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 337px;\">\n<td style=\"width: 45.1724%; height: 337px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19170\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-i-became-a-ghost-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-i-became-a-ghost-199x300.jpg 199w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-i-became-a-ghost.jpg 331w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 337px;\">\n<p>Tim Tingle\u2019s <em>How I Became a Ghost<\/em> (Roadrunner Press, 2015) is set on the Trail of Tears \u2013 the path taken by thousands of Native Americans in the 1830s following Andrew Jackson\u2019s Indian Removal Act that sent tribes from their homelands to designated \u201cIndian territory\u201d west of the Mississippi River.\u00a0 The story is narrated by Isaac, a young Choctaw boy, who didn\u2019t survive the journey. For ages 9-12.<\/p>\n<p>For more information, see <a href=\"https:\/\/www.history.com\/topics\/native-american-history\/trail-of-tears\">Trail of Tears<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19132\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1621-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1621-232x300.jpg 232w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1621-791x1024.jpg 791w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1621-768x994.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1621.jpg 836w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Catherine O\u2019Neill Grace and Margaret M. Bruchac, <em>1621: A New Look at Thanksgiving<\/em> (National Geographic, 2004) attempts to dispel the mythological Thanksgiving story that so many of us have grown up with by presenting a historically balanced account of the event and incorporating the point of view of the participating Wampanoags. Illustrated with wonderful photos of re-enactors at Plimouth Plantation. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19209\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/thunder-rolling-in-mountains-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/thunder-rolling-in-mountains-204x300.jpg 204w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/thunder-rolling-in-mountains.jpg 340w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Scott O\u2019Dell, <em>Thunder Rolling in the Mountains<\/em> (HMH, 2010) is the heart-wrenching story of the defeat of the Nez Perce Indians in 1877 by the U.S. Army, narrated by Chief Joseph\u2019s young daughter. For ages 8-12.<\/p>\n<p>From the History Place Great Speeches Collection, see <a href=\"https:\/\/www.historyplace.com\/speeches\/joseph.htm\">Chief Joseph Surrenders<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 333px;\">\n<td style=\"width: 45.1724%; height: 333px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19183\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/kids-guide-to-native-american-history-300x232.jpg\" alt=\"\" width=\"300\" height=\"232\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/kids-guide-to-native-american-history-300x232.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/kids-guide-to-native-american-history.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 333px;\">\n<p>By Yvonne Wakim Dennis, <em>A Kid\u2019s Guide to Native American History<\/em> (Chicago Review Press, 2009) covers the tribes and cultures of nine major geographical areas in the continental United States, Alaska, and Hawaii. Included are capsule biographies of notable people, maps and timelines, background information, and hands-on activities, games, recipes, and crafts. For example, kids make a storyteller bag, cook a batch of succotash, create ledger art, and play a game of stone jacks. For ages 9 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 337px;\">\n<td style=\"width: 45.1724%; height: 337px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19150\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/code-talker-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/code-talker-182x300.jpg 182w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/code-talker-622x1024.jpg 622w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/code-talker-768x1265.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/code-talker-933x1536.jpg 933w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/code-talker-1244x2048.jpg 1244w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/code-talker.jpg 1268w\" sizes=\"auto, (max-width: 182px) 100vw, 182px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 337px;\">\n<p>Joseph Bruchac\u2019s <em>Code Talker<\/em> (Speak, 2006) is the story of the Navajo code talkers whose unbreakable code \u2013 their native language \u2013 saved innumerable lives during World War II. The story is told through the eyes of sixteen-year-old Ned Begay, a Navajo boy who becomes a code talker. For ages 12 and up.<\/p>\n<p>For younger readers, see Bruchac\u2019s picture book <em>Chester Nez and the Unbreakable Code<\/em> (Albert Whitman and Company, 2018). For ages 6-9.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19178\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indigenous-peoples-history-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indigenous-peoples-history-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indigenous-peoples-history.jpg 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>Roxanne Dunbar-Ortiz\u2019s <em>An Indigenous Peoples\u2019 History of the United States for Young People<\/em> (Beacon Press, 2019), an adaptation of the adult book, is history from a perspective rarely (never?) encountered in traditional textbooks, beginning with American origin myths and ending with the 21<sup>st<\/sup> century. Highly recommended for ages 12-17.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19208\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/this-place-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/this-place-212x300.jpg 212w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/this-place.jpg 445w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p><em>This Place: 150 Years Retold<\/em> (Highwater Press, 2019) is a graphic-novel anthology of 150 years of indigenous Canadian history: ten stories, each accompanied by a timeline of the events surrounding the narrative. For ages 15 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19162\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/empire-of-summer-moon-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/empire-of-summer-moon-198x300.jpg 198w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/empire-of-summer-moon.jpg 676w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By S.C. Gwynne, <em>Empire of the Summer Moon<\/em> (Scribner, 2010) is the story of Cynthia Ann Parker \u2013 kidnapped by the Comanches at the age of nine \u2013 and her son Quanah, the canny warrior who became the tribal chief of the last free riders of the plains. For teens and adults.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19135\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/all-the-real-indians-died-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/all-the-real-indians-died-194x300.jpg 194w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/all-the-real-indians-died.jpg 453w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker, <em>All the Real Indians Died Off<\/em> (Beacon Press, 2016) debunks twenty major myths about Native Americans, among these \u201cColumbus Discovered America,\u201d \u201cIndians Were Savage and Warlike,\u201d and \u201cEuropeans Brought Civilization to the Backward Indians.\u201d Thought-provoking for teens and adults.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19131\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1491-184x300.jpg\" alt=\"\" width=\"184\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1491-184x300.jpg 184w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/1491.jpg 368w\" sizes=\"auto, (max-width: 184px) 100vw, 184px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Charles C. Mann, <em>1491<\/em> (Vintage, 2006) is a fascinating picture of the Americas before the arrival of Columbus \u2013 followed by <em>1493<\/em> (Vintage, 2012), the story of the world that Columbus created.\u00a0 Wide-ranging and multifaceted histories for teens and adults.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19147\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/bury-my-heart-at-wounded-knee-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/bury-my-heart-at-wounded-knee-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/bury-my-heart-at-wounded-knee.jpg 667w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>Dee Brown\u2019s <em>Bury My Heart at Wounded Knee: An Indian History of the American West<\/em> (Picador, 2007), first published in 1970, is a devastating and carefully researched account of the destruction of Native American tribes in the second half of the 19<sup>th<\/sup> century. A powerful and painful narrative for teens and adults.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19148\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/bury-my-heart-movie-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/bury-my-heart-movie-225x300.jpg 225w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/bury-my-heart-movie-768x1024.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/bury-my-heart-movie.jpg 1125w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>The <a href=\"https:\/\/www.imdb.com\/title\/tt0821638\/\">movie<\/a> (2007) based on the book chronicles the displacement of Native American tribes following the Battle of Little Bighorn.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 276px;\">\n<td style=\"width: 45.1724%; height: 276px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19215\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/nat-geo-kids-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/nat-geo-kids-300x300.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/nat-geo-kids-150x150.jpg 150w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/nat-geo-kids.jpg 736w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 276px;\">\n<p><a href=\"https:\/\/kids.nationalgeographic.com\/history\/topic\/native-americans\">National Geographic Kids: Native Americans<\/a> has reader-friendly, fact-filled, photo-illustrated accounts of Native American tribes by region.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 232px;\">\n<td style=\"width: 45.1724%; height: 232px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-19158\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/ducksters.gif\" alt=\"\" width=\"175\" height=\"215\" \/><\/td>\n<td style=\"width: 54.8276%; height: 232px;\">\n<p>From Ducksters, see <a href=\"https:\/\/www.ducksters.com\/history\/native_americans.php\">Native American History for Kids <\/a>\u00a0&#8211; an overview covering culture and religion, social structure, myths and legends, major historical events, individual tribes and regions, and famous Native Americans.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 159px;\">\n<td style=\"width: 45.1724%; height: 159px;\">\u00a0<\/td>\n<td style=\"width: 54.8276%; height: 159px;\">\n<p><a href=\"https:\/\/www.historyforkids.net\/native-americans.html\">History for Kids: Native American History<\/a> has pages on individual nations, famous people, homes, clothing, mythology, art, religions, and more.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 39px;\">\n<td style=\"width: 45.1724%; height: 39px;\">\u00a0<\/td>\n<td style=\"width: 54.8276%; height: 39px;\">From TED Ed, see <a href=\"https:\/\/ed.ted.com\/best_of_web\/xyAUunez\">Native Americans for Kids: Cherokee, Apache, Navajo, Iroquois, and Sioux.<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--nextpage--><\/p>\n<p>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Folktales, Myths, and Legends<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 3624px;\">\n<tbody>\n<tr style=\"height: 234px;\">\n<td style=\"width: 45.1724%; height: 234px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19169\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-chipmunk-got-his-stripes-300x241.jpg\" alt=\"\" width=\"300\" height=\"241\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-chipmunk-got-his-stripes-300x241.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-chipmunk-got-his-stripes.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 234px;\">\n<p>Joseph Bruchac has written many wonderful versions of Native American legends in picture-book format for young readers. Among these are <em>The First Strawberries<\/em> (Puffin, 1998), <em>How Chipmunk Got His Stripes<\/em> (Puffin, 2003), <em>Turtle\u2019s Race with Beaver<\/em> (Puffin, 2005), and <em>Rabbit\u2019s Snow Dance<\/em> (Dial Books, 2012),<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 258px;\">\n<td style=\"width: 45.1724%; height: 258px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19153\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/coyote-trickster-300x247.jpg\" alt=\"\" width=\"300\" height=\"247\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/coyote-trickster-300x247.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/coyote-trickster.jpg 318w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 258px;\">\n<p>Gerald McDermott\u2019s brightly illustrated picture books of Native American tales include <em>Coyote: A Trickster Tale from the American Southwest<\/em> (HMH, 1999), <em>Raven: A Trickster Tale from the Pacific Northwest<\/em> (HMH, 2001), <em>Jabuti the Tortoise: A Trickster Tale from the Amazon<\/em> (HMH, 2005), and <em>Arrow to the Sun: A Pueblo Indian Tale<\/em> (Puffin, 1977). For ages 4-8.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 337px;\">\n<td style=\"width: 45.1724%; height: 337px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19218\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/51eoY9L4MYL-245x300.jpg\" alt=\"\" width=\"245\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/51eoY9L4MYL-245x300.jpg 245w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/51eoY9L4MYL.jpg 408w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 337px;\">\n<p>By Tomie de Paola, <em>The Legend of the Indian Paintbrush<\/em> (Putnam &amp; Grosset, 1996) is the story of a young Plains Indian boy who has a dream vision of creating a painting in all the colors of the sunset \u2013 and how this at last came to pass. For ages 4-8.<\/p>\n<p>Also by de Paola, see <em>The Legend of the Bluebonnet<\/em> (Puffin, 1996), the story of a courageous Comanche girl who finds a way to bring much-needed rain to her tribe.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19166\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-loved-wild-horses-235x300.jpg\" alt=\"\" width=\"235\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-loved-wild-horses-235x300.jpg 235w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-loved-wild-horses-803x1024.jpg 803w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-loved-wild-horses-768x979.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-loved-wild-horses-1205x1536.jpg 1205w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-loved-wild-horses.jpg 1400w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>Paul Goble\u2019s beautifully illustrated picture books of Native American stories include <em>The Girl Who Loved Wild Horses<\/em> (Aladdin, 1993), <em>The Gift of the Sacred Dog<\/em> (Aladdin, 1984), <em>Buffalo Woman<\/em> (Aladdin, 1987), <em>Star Boy<\/em> (Aladdin, 1991), and <em>Dream Wolf<\/em> (Aladdin, 1997).<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19171\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-the-stars-fell-into-sky-234x300.jpg\" alt=\"\" width=\"234\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-the-stars-fell-into-sky-234x300.jpg 234w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/how-the-stars-fell-into-sky.jpg 467w\" sizes=\"auto, (max-width: 234px) 100vw, 234px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>Jerrie Oughton\u2019s <em>How the Stars Fell Into the Sky<\/em> (HMH, 1996) is a Navajo legend about how First Woman prepared to write the laws of the land in star patterns in the sky \u2013 only to have rambunctious Coyote scatter them far and wide.&nbsp; For ages 4-8.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19192\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/rough-face-girl-229x300.jpg\" alt=\"\" width=\"229\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/rough-face-girl-229x300.jpg 229w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/rough-face-girl.jpg 381w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>Rafe Martin\u2019s <em>The Rough-face Girl<\/em> (Puffin, 1998) is a lovely Algonquin version of the Cinderella story for ages 4-8.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 255px;\">\n<td style=\"width: 45.1724%; height: 255px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19196\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/skysisters-300x276.jpg\" alt=\"\" width=\"300\" height=\"276\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/skysisters-300x276.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/skysisters.jpg 686w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 255px;\">\n<p>In Jan Bourdeau Waboose\u2019s <em>SkySisters<\/em> (Kids Can Press, 2002), a pair of Ojibway sisters set off on a frozen trek to see the SkySpirits dance \u2013 that is, the glorious northern lights. For ages 5-8.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 362px;\">\n<td style=\"width: 45.1724%; height: 362px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19182\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/keepers-of-the-earth-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/keepers-of-the-earth-230x300.jpg 230w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/keepers-of-the-earth.jpg 384w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 362px;\">\n<p>By Michael J. Caduto and Joseph Bruchac, <em>Keepers of the Earth<\/em> (Fulcrum, 1997) is a superb collection of Native American folktales paired with background information and hands-on environmental activities. For ages 7 and up.<\/p>\n<p>In the same format, see <em>Keepers of Life: Discovering Plants through Native American Stories, Keepers of the Animals: Native American Stories and Wildlife Activities<\/em>, and <em>Keepers of the Night: Native American Stories and Nocturnal Activities<\/em>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19165\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-helped-thunder-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-helped-thunder-230x300.jpg 230w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/girl-who-helped-thunder.jpg 383w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>Adapted by James and Joseph Bruchac, <em>The Girl Who Helped Thunder and Other Native American Folktales<\/em> (Sterling, 2008) is a collection of native folktales arranged geographically. The illustrated tales come from a wide range of peoples and cultures, among them Cherokee, Cheyenne, Hopi, Seminole, Seneca, and more, each introduced with historical background information. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19194\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/sea-ringed-world-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/sea-ringed-world-219x300.jpg 219w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/sea-ringed-world.jpg 364w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Maria Garcia Esperon, <em>The Sea-Ringed World<\/em> (Levine Querido, 2021) is a visually gorgeous collection of sacred stories from the native nations and cultures of the Americas. Included are a culture guide, a map, and a glossary. For ages 8 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45.1724%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19203\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-dance-in-the-sky-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-dance-in-the-sky-232x300.jpg 232w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-dance-in-the-sky.jpg 386w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 317px;\">\n<p>By Ray. A. Williamson, <em>They Dance in the Sky<\/em> (HMH, 2007) is a collection of Native American star myths from a range of native cultures. For ages 10 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 276px;\">\n<td style=\"width: 45.1724%; height: 276px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19210\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/trickster-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/trickster-300x300.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/trickster-150x150.jpg 150w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/trickster-768x768.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/trickster.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 54.8276%; height: 276px;\">\n<p>Edited by Matt Dembicki, the graphic novel <em>Trickster<\/em> (Chicago Review Press, 2010) is a collection of 21 Native American trickster tales, variously involving coyotes, ravens, rabbits, alligators, beavers, and more. For ages 10 and up.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<h3 class=\"wp-block-heading\">Native American Life<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 2648px;\">\n<tbody>\n<tr style=\"height: 272px;\">\n<td style=\"width: 44.4828%; height: 272px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19220\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-water-protectors-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-water-protectors-300x300.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-water-protectors-150x150.jpg 150w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-water-protectors.jpg 630w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 272px;\">\n<p>Carole Lindstrom\u2019s Caldecott Medal winner <em>We Are Water Protectors<\/em> (Roaring Brook Press, 2020), gorgeously illustrated by Michaela Goade, is a magical and poetic environmental plea in defense of the world\u2019s water inspired by indigenous activist movements. A beautiful book for ages 4 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 299px;\">\n<td style=\"width: 44.4828%; height: 299px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19221\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-grateful-271x300.jpg\" alt=\"\" width=\"271\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-grateful-271x300.jpg 271w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-grateful-927x1024.jpg 927w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-grateful-768x849.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/we-are-grateful.jpg 1000w\" sizes=\"auto, (max-width: 271px) 100vw, 271px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 299px;\">\n<p>By Traci Sorell, <em>We Are Grateful: Otsaliheliga<\/em> (Charlesbridge, 2018) is a picture-book demonstration of the many ways in which the Cherokee express gratitude \u2013 with the word \u201cotsaliheliga\u201d \u2013 in an illustrated trip through the year and seasons. For ages 4-8.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 272px;\">\n<td style=\"width: 44.4828%; height: 272px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19146\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/buffalo-bird-girl-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/buffalo-bird-girl-300x300.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/buffalo-bird-girl-150x150.jpg 150w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/buffalo-bird-girl.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 272px;\">\n<p>S.D. Nelson\u2019s <em>Buffalo Bird Girl: A Hidatsa Story<\/em> (Harry N. Abrams, 2012) is the picture-book story of a young girl who lived in a Hidatsa village near the Missouri River in the mid- to late-19<sup>th<\/sup> century. Told in the first person, using the actual story of Buffalo Bird Woman as recorded by an anthropologist in 1906, and supplemented with archival photos. For ages 6-10.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.4828%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19143\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/birchbark-house-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/birchbark-house-216x300.jpg 216w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/birchbark-house.jpg 454w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 317px;\">\n<p>Louise Erdrich\u2019s <em>The Birchbark House<\/em> (Hyperion, 2002) is the story of Omakayas \u2013 Little Frog \u2013 an Ojibwe girl, growing up with her family on an island in Lake Superior in 1847. Often recommended as an alternative to Laura Ingalls Wilder\u2019s Little House books, which are set in the same time period, but told from a white settler\u2019s perspective. For ages 8-12.<\/p>\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 537px;\">\n<td style=\"width: 44.4828%; height: 537px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19160\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree-197x300.jpg 197w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree.jpg 413w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 537px;\">\n<p>Forrest Carter\u2019s <em>The Education of Little Tree<\/em> (University of New Mexico Press, 2001), set during the Great Depression in the mountains of Tennessee, is the story of the orphaned boy known as Little Tree, sent to live with his Cherokee grandparents \u2013 where he learns about Native American culture, customs, and philosophies. For ages 12 and up.<\/p>\n<p>It\u2019s a lovely and well-written book. Here\u2019s the problem: since its publication in 1976, when it claimed to be a true story, it has been discovered to be a fiction and that its actual author was Asa Earl Carter, a white supremacist and Ku Klux Klan organizer. (See <a href=\"https:\/\/www.biblio.com\/book-collecting\/what-to-collect\/the-education-of-little-tree\/\">Biblio Hoaxes: The Education of Little Tree<\/a>.) Despite some inaccuracies, it remains a highly rated coming-of-age novel \u2013 and certainly, given its provenance, provides a lot of food for discussion.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.4828%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19159\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree-movie-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree-movie-225x300.jpg 225w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree-movie-768x1024.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree-movie-1152x1536.jpg 1152w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/education-of-little-tree-movie.jpg 1200w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 317px;\">\n<p>The movie version of <a href=\"https:\/\/www.imdb.com\/title\/tt0119052\/\">The Education of Little Tree<\/a> (1997) is rated PG.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.4828%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19134\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/absolutely-true-diary-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/absolutely-true-diary-198x300.jpg 198w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/absolutely-true-diary.jpg 395w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 317px;\">\n<p>Sherman Alexie\u2019s <em>The Absolutely True Diary of a Part-Time Indian<\/em> (Little, Brown, 2009) is the story of Junior who wants to be a cartoonist \u2013 the book is illustrated with his cartoons \u2013 growing up on the Spokane Indian Reservation. Then he decides to switch to the all-white high school &#8211; where the only other Indian is the school mascot. Funny, heartbreaking, and based on Alexie\u2019s own experiences. A National Book Award winner. For ages 12 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.4828%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19139\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/apple-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/apple-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/apple.jpg 420w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 55.5172%; height: 317px;\">\n<p>Eric Gansworth\u2019s <em>Apple <\/em>(Levine Querido, 2020) is a stunning memoir in verse by an Onondaga quthor and artist, raised on a reservation. (The apple of the title is a pejorative term, used for someone who supposedly is \u201cred on the outside, white on the inside.\u201d) Creatively designed and illustrated with photos and graphic art. For ages 12-18.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--nextpage--><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Native Americans in Fiction<\/h3>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 3835px;\">\n<tbody>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.1379%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19179\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/island-of-blue-dolphins-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/island-of-blue-dolphins-201x300.jpg 201w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/island-of-blue-dolphins.jpg 423w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 317px;\">\n<p>Scott O\u2019Dell\u2019s Newbery Medal winner <em>Island of the Blue Dolphins<\/em> (HMH, 2010), now a classic, is the story of Karana, a Native American girl who lived alone for nearly twenty years on an island off the California coast \u2013 hunting, building a canoe, living in a house of whale bones. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.1379%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19181\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/julie-of-the-wolves-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/julie-of-the-wolves-201x300.jpg 201w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/julie-of-the-wolves.jpg 422w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 317px;\">\n<p>In Jean Craighead George\u2019s Newbery Medal winner <em>Julie of the Wolves<\/em> (HarperCollins, 2019), 13-year-old Julie, threatened with an arranged marriage, runs away from her Eskimo village and survives on the tundra with the help of a pack of wolves. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 359px;\">\n<td style=\"width: 44.1379%; height: 359px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19177\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indian-no-more-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indian-no-more-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indian-no-more.jpg 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 359px;\">\n<p>In Charlene Willing McManis and Traci Sorell\u2019s <em>Indian No More<\/em> (Tu Books, 2019), set in the 1950s, ten-year-old Regina Petit and family have always been Umpqua, living on the Grand Ronde reservation in Oregon \u2013 until the federal government decrees that the tribe no longer exists, rendering them \u201cIndian no more.\u201d Regina\u2019s father then moves the family to Los Angeles where Regina for the first time encounters the mainstream culture\u2019s grasp of Indian identity \u2013 largely gleaned from the TV show <em>The Lone Ranger<\/em> \u2013 and struggles with racism. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.1379%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19173\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/I-can-make-this-promise-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/I-can-make-this-promise-199x300.jpg 199w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/I-can-make-this-promise.jpg 470w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 317px;\">\n<p>In Christine Day\u2019s <em>I Can Make This Promise<\/em> (Heartdrum, 2020), Edie knows that her mother was adopted by a white couple \u2013 but knows next to nothing about her Native American heritage. Then in the attic she discovers a box filled with letters and a photograph of a woman who could be her twin \u2013 and begins to learn painful truths about Native American history and her own family\u2019s past. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 361px;\">\n<td style=\"width: 44.1379%; height: 361px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19195\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/sign-of-the-beaver-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/sign-of-the-beaver-201x300.jpg 201w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/sign-of-the-beaver.jpg 334w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 361px;\">\n<p>In Elizabeth George Speare\u2019s <em>The Sign of the Beaver<\/em> (HMH, 2011), set in 18<sup>th<\/sup>-century Maine, young Matt\u2019s father leaves him alone to guard their frontier cabin. When a white stranger steals his gun, Matt is left helpless \u2013 he not only can\u2019t defend himself, but can\u2019t hunt for food. His salvation is Atean, a Native American boy, who helps Matt survive and teaches him about his culture. As Matt\u2019s friendship with Atean evolves, his assumptions about Indians and his understanding of their relationship with white settlers begins to change. For ages 9-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 384px;\">\n<td style=\"width: 44.1379%; height: 384px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19198\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/stone-river-crossing-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/stone-river-crossing-198x300.jpg 198w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/stone-river-crossing-677x1024.jpg 677w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/stone-river-crossing-768x1161.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/stone-river-crossing.jpg 900w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 384px;\">\n<p>Tom Tingle\u2019s <em>Stone River Crossing<\/em> (Tu Books, 2019) is a story of the rarely explored bond between Native Americans and African-American slaves. Only the Bok Chitto River separates the Choctaw nation from a slaveholder\u2019s Mississippi plantation. When Lil Mo discovers that his mother is to be sold, he and his family \u2013 with the help of Choctaw girl Martha Tom \u2013 escape across the river to the Choctaw village. There they adapt to a new life with the help of the squirrel hunter, Funi Man, though there are still dangers \u2013 not only from slave hunters, but from an otherworldly witch owl. For ages 9-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.1379%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19154\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/crossing-bok-chitto-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/crossing-bok-chitto-232x300.jpg 232w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/crossing-bok-chitto.jpg 386w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 317px;\">\n<p>For a picture-book version of the story, see Tom Tingle\u2019s <em>Crossing Bok Chitto<\/em> (Cinco Puntos Press, 2008).<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 512px;\">\n<td style=\"width: 44.1379%; height: 512px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19202\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-brave-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-brave-194x300.jpg 194w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-brave.jpg 647w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 512px;\">\n<p>In James Bird\u2019s <em>The Brave<\/em> (Feiwel and Friends, 2020), Collin has a condition that causes him to count every letter in every word spoken to him \u2013 which makes him prey for bullies and a problem in school. His discouraged father sends him to Minnesota to live on a reservation with the Ojibwe mother whom he has never met. There, with the help of his mother, his grandmother (a ghost), some wise elders, and next-door neighbor Orenda, who believes she\u2019s turning into a butterfly \u2013 but is actually dying of ALS \u2013 Collin comes to terms with his problems and finds himself. For ages 9-12.<\/p>\n<p>Though the book received some starred reviews (Booklist, School Library Journal), it hasn\u2019t been well-received by the Ojibwe community. See this <a href=\"https:\/\/www.nytimes.com\/2020\/07\/31\/books\/review\/the-brave-james-bird.html\">review<\/a> from the <em>New York Times<\/em> and <a href=\"https:\/\/americanindiansinchildrensliterature.blogspot.com\/2021\/02\/not-recommended-brave-by-james-bird.html\">this<\/a> from American Indians in Children\u2019s Literature (AICL).<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.1379%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19193\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/salt-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/salt-204x300.jpg 204w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/salt.jpg 340w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 317px;\">\n<p>Helen Frost\u2019s <em>Salt<\/em> (Square Fish, 2015) is the story of the friendship between two twelve-year-old boys in the Indiana Territory in 1812 \u2013 Anikwa, a member of the Miami tribe, and James, who lives with his family in the stockade near Fort Wayne. As war between British and Americans comes closer, the two find they have to decide where their loyalties lie. A novel in verse, told in the voices of both boys. For ages 10-14.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.1379%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19138\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/ancestor-approved-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/ancestor-approved-198x300.jpg 198w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/ancestor-approved.jpg 415w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 317px;\">\n<p>Edited by Cynthia Leitich Smith, <em>Ancestor Approved<\/em> (Heartdrum, 2021) is a collection of stories and poems centered around a pow-wow, by contemporary Native authors representing a range of nations, among them Cree, Ojibwe, Choctaw, Cherokee, Navajo, Abenaki, and more. Included is a glossary of indigenous vocabulary words. For ages 10-14.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.1379%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19156\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/darkness-under-the-water-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/darkness-under-the-water-192x300.jpg 192w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/darkness-under-the-water-656x1024.jpg 656w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/darkness-under-the-water.jpg 709w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><\/td>\n<td style=\"width: 55.8621%; height: 317px;\">\n<p>Beth Kanell\u2019s <em>Darkness Under the Water<\/em> (Candlewick, 2008) is the story of Molly, a half-Abenaki, half-French Canadian girl growing up in Vermont in the 1920s \u2013 where she begins to realize that the government\u2019s eugenics project is targeting people such as her pregnant mother, who have been deemed undesirable. For ages 12 and up.<\/p>\n<p>From the <em>New Yorker<\/em>, see <a href=\"https:\/\/www.newyorker.com\/books\/page-turner\/the-forgotten-lessons-of-the-american-eugenics-movement\">The Forgotten Lessons of the American Eugenics Movement<\/a>.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<h3 class=\"wp-block-heading\">Two Kinds of Captives<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 2732px;\">\n<tbody>\n<tr style=\"height: 334px;\">\n<td style=\"width: 44.3103%; height: 334px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19176\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indian-captive-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indian-captive-198x300.jpg 198w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/indian-captive.jpg 329w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 334px;\">\n<p>Lois Lenski\u2019s <em>Indian Captive<\/em> (HarperCollins, 1995), young Mary Jemison is captured along with her family in 1758, separated from her parents and siblings, and sent to a Seneca village in western New York. There she\u2019s adopted \u2013 and struggles to adjust to a new life, missing her family, learning a new language and new customs, forging new relationships. Ultimately Mary \u2013 now called Corn Tassel \u2013 has a chance to return home, but elects to stay with the Seneca. Based, more or less, on a true story. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 409px;\">\n<td style=\"width: 44.3103%; height: 409px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19149\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/calico-captive-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/calico-captive-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/calico-captive.jpg 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 409px;\">\n<p>Elizabeth George Speare\u2019s <em>Calico Captive<\/em> (HMH, 2001) is the story of Miriam Willard, her sister Susanna, brother-in-law James, and their children captured by Indians in a raid during the French and Indian War and taken to Montreal. Miriam dislikes both Indians and French, though she does eventually admit that the Indians were sometimes fair and kind; and neither were French Catholics as dreadful as she had been taught to believe. (Her young nephew, Sylvanus, ultimately stays with the Indians; and a niece stays with the French.) The story is based on an actual diary, <a href=\"https:\/\/www.goodreads.com\/book\/show\/1224063.A_Narrative_Of_The_Captivity_Of_Mrs_Johnson\">A Narrative of the Captivity of Mrs. Johnson<\/a>. For ages 9-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 362px;\">\n<td style=\"width: 44.3103%; height: 362px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19185\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/light-in-the-forest-177x300.jpg\" alt=\"\" width=\"177\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/light-in-the-forest-177x300.jpg 177w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/light-in-the-forest.jpg 353w\" sizes=\"auto, (max-width: 177px) 100vw, 177px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 362px;\">\n<p>In Conrad Richter\u2019s <em>The Light in the Forest<\/em> (Vintage, 2004), John Cameron was captured as a child in a raid on the Pennsylvania frontier in 1764, adopted by the Lenni Lenape, and raised as an Indian. When the Lenni Lenape sign a treaty that requires the return of captives, fifteen-year-old John \u2013 now known as True Son \u2013 must go back to his long-forgotten white family. A story of a boy caught between two cultures. For teens and adults.<\/p>\n<p>The Disney movie version of <a href=\"https:\/\/www.imdb.com\/title\/tt0051864\/\">The Light in the Forest<\/a> (1958) is unrated, but family-appropriate.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 412px;\">\n<td style=\"width: 44.3103%; height: 412px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19212\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/unredeemed-captive-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/unredeemed-captive-195x300.jpg 195w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/unredeemed-captive.jpg 390w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 412px;\">\n<p>By John Demos, <em>The Unredeemed Captive<\/em> (Vintage, 1995) is the well-researched story of a 1704 Indian attack on the village of Deerfield, Massachusetts, in which Puritan minister John Williams, his wife, and five children were captured. Williams\u2019s wife died in captivity, but he and three surviving children were eventually freed. Seven-year-old Eunice, however, was adopted by a Mohawk family and eventually married into the tribe, steadfastly refusing all efforts to redeem her. For teens and adults.<\/p>\n<p>See the story of Eunice Williams from the New England Historical Society <a href=\"https:\/\/www.newenglandhistoricalsociety.com\/eunice-williams-unredeemed-captive\/\">here<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 236px;\">\n<td style=\"width: 44.3103%; height: 236px;\">\u00a0<\/td>\n<td style=\"width: 55.6897%; height: 236px;\">\n<p>Family separation policies aren\u2019t new. Beginning in the late 19<sup>th<\/sup> century, a U.S. government policy advocated the removal of Native American children from their families, sending them instead to government boarding schools, where children were forbidden to speak their native languages or practice native customs. Read about it <a href=\"https:\/\/www.history.com\/news\/government-boarding-schools-separated-native-american-children-families\">here<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 134px;\">\n<td style=\"width: 44.3103%; height: 134px;\">\u00a0<\/td>\n<td style=\"width: 55.6897%; height: 134px;\">\n<p>From <em>The Atlantic<\/em>, see <a href=\"https:\/\/www.theatlantic.com\/education\/archive\/2019\/03\/traumatic-legacy-indian-boarding-schools\/584293\/\">Death by Civilization<\/a>, the story of the traumatic legacy of the forced Indian boarding schools.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 290px;\">\n<td style=\"width: 44.3103%; height: 290px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19223\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-we-were-alone-279x300.jpg\" alt=\"\" width=\"279\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-we-were-alone-279x300.jpg 279w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-we-were-alone.jpg 378w\" sizes=\"auto, (max-width: 279px) 100vw, 279px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 290px;\">\n<p>In David A. Robertson\u2019s <em>When We Were Alone<\/em> (HighWater Press, 2017), a little girl hears her grandmother\u2019s story of her life in a residential school a long time ago \u2013 which explains why today she wears her hair long, wears colorful native clothing, speaks her own language, and \u2013 above all \u2013 values her family. For ages 5-9.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 238px;\">\n<td style=\"width: 44.3103%; height: 238px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19168\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/home-to-medicine-mountain-300x261.jpg\" alt=\"\" width=\"300\" height=\"261\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/home-to-medicine-mountain-300x261.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/home-to-medicine-mountain.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 238px;\">\n<p>By Chiori Santiago, <em>Home to Medicine Mountain<\/em> (Children\u2019s Book Press, 2002) is the picture-book story of two young brothers taken from their parents and sent to a government-run residential school. For ages 6-10.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.3103%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19172\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/I-am-not-a-number-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/I-am-not-a-number-232x300.jpg 232w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/I-am-not-a-number.jpg 386w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 317px;\">\n<p>In Jenny Dupuis and Kathy Kacer\u2019s <em>I Am Not a Number<\/em> (Second Story Press, 2016), set in Canada, young Irene and her brothers, suddenly deemed \u201cwards of the state,\u201d are taken from their home and send to a boarding school, where Irene is given a number in lieu of a name, her long hair is cut, and she is punished for speaking her native language. Based on the childhood of Dupuis\u2019s grandmother. For ages 7-11.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<h3 class=\"wp-block-heading\">Native Americans in Fantasy<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 1694px;\">\n<tbody>\n<tr style=\"height: 359px;\">\n<td style=\"width: 44.3103%; height: 359px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19190\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/race-to-the-sun-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/race-to-the-sun-197x300.jpg 197w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/race-to-the-sun.jpg 656w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 359px;\">\n<p>In Rebecca Roanhorse\u2019s fast-paced <em>Race to the Sun<\/em> (Rick Riordan Presents, 2020), Dine 12-year-old Nizhoni Begay has the ability to sense monsters \u2013 one of whom proves to be her dad\u2019s new boss, the sinister Mr. Charles, head of an oil and gas company. After her dad is kidnapped \u2013 leaving behind the message \u201cRun!\u201d \u2013 Nizhoni, her younger brother Mac, and best friend Davery, set off on a quest inspired by Navajo mythology, which involves dangerous challenges, a journey into the spirit realm, and the discovery of their own heritage. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.3103%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19201\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-barren-grounds-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-barren-grounds-198x300.jpg 198w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-barren-grounds.jpg 330w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 317px;\">\n<p>In David A. Robertson\u2019s <em>The Barren Grounds<\/em> (Puffin Canada, 2020), two indigenous kids in foster care find a portal that leads them into the frozen Barren Grounds of Misewa, a community of talking animals, who desperately need their help. For ages 10 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.3103%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19199\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/take-us-to-your-chief-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/take-us-to-your-chief-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/take-us-to-your-chief.jpg 419w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 317px;\">\n<p>By Drew Hayden Taylor, <em>Take Us to Your Chief<\/em> (Douglas &amp; McIntyre, 2017) is a collection of Native-American-themed sci fi stories. A sentient computer turns to Native American spirituality; dream catchers turn dangerous; ancient petroglyphs hold the secret to time travel. For ages 11 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.3103%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19161\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/elatsoe-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/elatsoe-203x300.jpg 203w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/elatsoe.jpg 337w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 317px;\">\n<p>By Darcie Little Badger, <em>Elatosoe<\/em> (Levine Querido, 2020) is a supernatural murder mystery in which Elatsoe (Ellie), a 17-year-old Lipan Apache with a talent for ghost calling, her spectral pet spaniel, Kirby, and best friend Jay, descendant of the fairy king Oberon, join forces to track down the murderer of her beloved cousin, Trevor. And there are vampires. For ages 12 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 384px;\">\n<td style=\"width: 44.3103%; height: 384px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19205\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-marrow-thieves-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-marrow-thieves-203x300.jpg 203w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-marrow-thieves-691x1024.jpg 691w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-marrow-thieves-768x1138.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-marrow-thieves.jpg 810w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/td>\n<td style=\"width: 55.6897%; height: 384px;\">\n<p>In Cherie Dimaline\u2019s dystopic <em>The Marrow Thieves<\/em> (Cormorant Books, 2017), the world is ravaged by global warming, cities have crumbled into the sea, and survivors have lost the ability to dream \u2013 with the exception of the Native Americans. Indigenous peoples are being hunted for the marrow of their bones, which holds the cure to dreamlessness \u2013 and fifteen-year-old Frenchie and companions are fleeing to the north, trying to hide from the Recruiters. En route, Migwans, the leader of the group, shares stories in which he educates the younger members about indigenous history. For ages 13 and up.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--nextpage--><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Famous Native Americans<\/h3>\n\n\n\n<p>Some names to know: Squanto, Metacomet (King Philip), Powhatan, Pocahontas, Sacagawea, Pontiac, Osceola, Cochise, Geronimo, Sitting Bull, Crazy Horse, Chief Joseph, Tecumseh, Black Elk, Sequoyah, Red Cloud, Jim Thorpe, Maria Tallchief, Wilma Mankiller.<\/p>\n\n\n\n<p>See <a href=\"https:\/\/bestlifeonline.com\/important-native-americans\/\">13 Important Native Americans You Didn\u2019t Learn About in School<\/a>.<\/p>\n\n\n\n<p>From Biography, see <a href=\"https:\/\/www.biography.com\/news\/influential-native-americans-list\">12 Influential Native American Leaders<\/a>.<\/p>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 2418px;\">\n<tbody>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.6552%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19133\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/a-boy-called-slow-237x300.jpg\" alt=\"\" width=\"237\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/a-boy-called-slow-237x300.jpg 237w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/a-boy-called-slow.jpg 375w\" sizes=\"auto, (max-width: 237px) 100vw, 237px\" \/><\/td>\n<td style=\"width: 55.3448%; height: 317px;\">\n<p>By Joseph Bruchac, <em>A Boy Called Slow<\/em> (Puffin, 1998) is a picture-book story of the boy who became Sitting Bull. For ages 5-9.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 298px;\">\n<td style=\"width: 44.6552%; height: 298px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19226\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/wilmas-way-home-273x300.jpg\" alt=\"\" width=\"273\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/wilmas-way-home-273x300.jpg 273w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/wilmas-way-home-768x843.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/wilmas-way-home.jpg 911w\" sizes=\"auto, (max-width: 273px) 100vw, 273px\" \/><\/td>\n<td style=\"width: 55.3448%; height: 298px;\">\n<p>By Doreen Rappaport, <em>Wilma\u2019s Way Home<\/em> (Little, Brown, 2019) is a picture-book version of the life of Wilma Mankiller, first female chief of the Cherokee tribe, an activist who worked to promote Native American rights in the 20<sup>th<\/sup> century. For ages 6-11.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.6552%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19157\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/double-life-of-pocahontas-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/double-life-of-pocahontas-192x300.jpg 192w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/double-life-of-pocahontas.jpg 319w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><\/td>\n<td style=\"width: 55.3448%; height: 317px;\">\n<p>By Jean Fritz, <em>The Double Life of Pocahontas<\/em> (Puffin, 2002) is a fictionalized but well-researched biography of the young girl who ended up torn between two cultures. The compelling narrative moves back and forth among the perspectives of Powhatan, Pocahontas, and John Smith. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 109px;\">\n<td style=\"width: 44.6552%; height: 109px;\">&nbsp;<\/td>\n<td style=\"width: 55.3448%; height: 109px;\">\n<p>From Smithsonian magazine, see <a href=\"https:\/\/www.smithsonianmag.com\/history\/true-story-pocahontas-180962649\/\">The True History of Pocahontas<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.6552%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19189\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/pocahontas-movie-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/pocahontas-movie-232x300.jpg 232w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/pocahontas-movie.jpg 640w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/td>\n<td style=\"width: 55.3448%; height: 317px;\">\n<p>Historically, Disney\u2019s <a href=\"https:\/\/www.imdb.com\/title\/tt00000114148\/\">Pocahontas<\/a> (1995) (rated G) has a lot of problems, but it\u2019s entertaining. Sophie Gilbert in <a href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2015\/06\/revisiting-pocahontas\/396626\/\">Revisiting Pocahontas at 20<\/a> points out, in its favor, that it delivers an environmental message and is the first ever Disney move starring an adult female and a woman of color.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 109px;\">\n<td style=\"width: 44.6552%; height: 109px;\">&nbsp;<\/td>\n<td style=\"width: 55.3448%; height: 109px;\">\n<p>From The Atlantic, <a href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2015\/06\/pocahontas-feminism\/397190\/\">Does Disney\u2019s Pocahontas Do More Harm Than Good?<\/a><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.6552%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19227\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/51B5QP6itbL-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/51B5QP6itbL-203x300.jpg 203w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/51B5QP6itbL.jpg 339w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/td>\n<td style=\"width: 55.3448%; height: 317px;\">\n<p>By Ann McGovern, <em>Native American Heroes<\/em> (Scholastic, 2013) is a gripping triple biography of Osceola, Tecumseh, and Cochise, supplemented with primary source materials including photos, maps, and portraits. For ages 8-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.6552%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19175\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/in-the-footsteps-of-crazy-horse-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/in-the-footsteps-of-crazy-horse-225x300.jpg 225w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/in-the-footsteps-of-crazy-horse-768x1024.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/in-the-footsteps-of-crazy-horse.jpg 900w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/td>\n<td style=\"width: 55.3448%; height: 317px;\">\n<p>Joseph Marshall\u2019s <em>In the Footsteps of Crazy Horse<\/em> (Amulet Books, 2015) is the story of a road trip or \u201cvision journey,\u201d taken by Jimmy McLean, a young Lakota boy, and his grandfather, Nyles High Eagle. In the course of the journey, Jimmy\u2019s grandfather recounts the life story of the heroic warrior Crazy Horse \u2013 the last of his people to surrender to the U.S. Army. For ages 9-12.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 44.6552%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19200\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/talking-leaves-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/talking-leaves-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/talking-leaves.jpg 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 55.3448%; height: 317px;\">\n<p>Joseph Bruchac\u2019s <em>Talking Leaves<\/em> (Puffin, 2017), set in the 1820s, is the fictionalized story of Sequoyah and the invention of the Cherokee alphabet, told from the point of view of Sequoyah\u2019s 13-year-old son. For ages 9-12.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<h3 class=\"wp-block-heading\">Native American Poetry<\/h3>\n\n\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 2353px;\">\n<tbody>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19207\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/thirteen-moons-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/thirteen-moons-232x300.jpg 232w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/thirteen-moons.jpg 386w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/td>\n<td style=\"width: 55%; height: 317px;\">\n<p>By Joseph Bruchac, <em>Thirteen Moons on Turtle\u2019s Back<\/em> (Puffin, 1997) is a collection of poems about the Native American lunar months, beginning with the shivery Moon of Popping Trees. For ages 4-9.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19167\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/hiawatha-237x300.jpg\" alt=\"\" width=\"237\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/hiawatha-237x300.jpg 237w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/hiawatha.jpg 356w\" sizes=\"auto, (max-width: 237px) 100vw, 237px\" \/><\/td>\n<td style=\"width: 55%; height: 317px;\">\n<p><em>Hiawatha<\/em> (Puffin, 1996), exquisitely illustrated by Susan Jeffers, is a picture-book introduction to Henry Wadsworth Longfellow\u2019s famous poem for ages 4-8.<\/p>\n<p>The complete <em>Song of Hiawatha<\/em>, which is 250+ pages long, is available at <a href=\"https:\/\/www.gutenberg.org\/files\/30795\/30795-h\/30795-h.htm\">Project Gutenberg<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19145\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/brother-eagle-sister-sky-238x300.jpg\" alt=\"\" width=\"238\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/brother-eagle-sister-sky-238x300.jpg 238w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/brother-eagle-sister-sky.jpg 476w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/td>\n<td style=\"width: 55%; height: 317px;\">\n<p>By Susan Jeffers, <em>Brother Eagle, Sister Sky<\/em> (Puffin, 2002) is a poetic picture-book version of the powerful speech given by Chief Seattle of the Suquamish tribe in 1854. \u201cHow can you buy the sky?\/How can you own the wind and rain?\u201d A beautiful book for all ages.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19204\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-earth-under-sky-bear-236x300.jpg\" alt=\"\" width=\"236\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-earth-under-sky-bear-236x300.jpg 236w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-earth-under-sky-bear.jpg 394w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/td>\n<td style=\"width: 55%; height: 317px;\">\n<p>By Joseph Bruchac, <em>The Earth Under Sky Bear\u2019s Feet<\/em> (Puffin, 1998) is a collection of 12 poems detailing what Sky Bear \u2013 also known as the Big Dipper \u2013 sees on the earth below. Beautifully illustrated with paintings by Thomas Locker. For ages 5 and up.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 134px;\">\n<td style=\"width: 45%; height: 134px;\">\u00a0<\/td>\n<td style=\"width: 55%; height: 134px;\">\n<p>From the Academy of American Poets, see <a href=\"https:\/\/poets.org\/native-american-heritage-month\">Poems for Native American Heritage Month<\/a> and <a href=\"https:\/\/poets.org\/text\/native-american-heritage-month-poems-kids\">Native American Heritage Month: Poems for Kids<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19206\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-way-to-rainy-mountain-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-way-to-rainy-mountain-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-way-to-rainy-mountain-683x1024.jpg 683w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-way-to-rainy-mountain-768x1152.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/the-way-to-rainy-mountain.jpg 907w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 55%; height: 317px;\">\n<p>By N. Scott Momaday, <em>The Way to Rainy Mountain<\/em> (University of Mexico Press, 1976) is a blend of poetry, memoir, history, and folklore, as the author explores his Kiowa heritage. For teens and adults.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19137\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/american-sunrise-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/american-sunrise-201x300.jpg 201w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/american-sunrise-684x1024.jpg 684w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/american-sunrise-768x1149.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/american-sunrise.jpg 802w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/td>\n<td style=\"width: 55%; height: 317px;\">\n<p>In 2019, <a href=\"https:\/\/www.smithsonianmag.com\/arts-culture\/joy-harjos-new-poetry-collection-brings-native-issues-forefront-180972889\/\">Joy Harjo<\/a>, a member of the Muscogee\/Creek nation, became the first Native American to hold the position of United States Poet Laureate. Many of her poems have Native American themes. See <em>An American Sunrise<\/em> (W.W. Norton, 2020).<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 45%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19228\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-the-light-of-the-world-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-the-light-of-the-world-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-the-light-of-the-world-683x1024.jpg 683w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-the-light-of-the-world-768x1152.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/when-the-light-of-the-world.jpg 907w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 55%; height: 317px;\">\n<p>Edited by Joy Harjo, <em>When the Light of the World Was Subdued, Our Songs Came Through<\/em> (W.W. Norton, 2020) is a rich anthology of Native American poetry by 161 poets from 90 indigenous nations. For teens and adults.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--nextpage--><\/p>\n<p>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Native Americans in the Movies<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 2356px;\">\n<tbody>\n<tr style=\"height: 317px;\">\n<td style=\"width: 43.7931%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19197\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/spirit-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/spirit-200x300.jpg 200w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/spirit-683x1024.jpg 683w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/spirit-768x1152.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/spirit.jpg 960w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td style=\"width: 56.2069%; height: 317px;\">\n<p>In the animated <a href=\"https:\/\/www.imdb.com\/title\/tt0166813\/\">Spirit: Stallion of the Cimarron<\/a> (2002), Spirit \u2013 a wild horse \u2013 is captured and taken to an army fort, where the resident Colonel does his best to break him. A young Lakota prisoner, Little Creek, and Spirit manage to free themselves \u2013 and Spirit is taken to the Lakota camp, where he falls for Little Creek\u2019s horse, Rain. A lot of excitement follows before the happy ending. Rated G.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 43.7931%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19230\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/windwalker-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/windwalker-201x300.jpg 201w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/windwalker-684x1024.jpg 684w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/windwalker-768x1149.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/windwalker.jpg 800w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/td>\n<td style=\"width: 56.2069%; height: 317px;\">\n<p>In <a href=\"https:\/\/www.imdb.com\/title\/tt0081760\/\">Windwalker<\/a> (1980), set in Utah in 1797, an aged Cheyenne warrior helps fight off a raiding party of rival Crow; and, through flashbacks, tells the story of his life. Other than voice overs, the film is spoken in the Cheyenne and Crow languages, with English subtitles. Rated PG.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 334px;\">\n<td style=\"width: 43.7931%; height: 334px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19180\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/jeremiah-johnson-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/jeremiah-johnson-196x300.jpg 196w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/jeremiah-johnson.jpg 654w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/td>\n<td style=\"width: 56.2069%; height: 334px;\">\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0068762\/\">Jeremiah Johnson<\/a> (1972) is loosely based on the story of mountain man John Jeremiah Johnston \u2013 a.k.a. Liver-eating Johnston \u2013 though luckily without the more horrific aspects of the real Johnson\u2019s life. In this story, Jeremiah (Robert Redford), after leaving the army, heads west for a life of solitude as a mountain man. There \u2013 after the U.S. Cavalry forces him to lead them through a sacred burial ground &#8211; he stumbles into a vendetta with the Crow. \u00a0But there\u2019s a lovely ending. Rated PG.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 437px;\">\n<td style=\"width: 43.7931%; height: 437px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19155\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/dances-with-wolves-184x300.jpg\" alt=\"\" width=\"184\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/dances-with-wolves-184x300.jpg 184w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/dances-with-wolves.jpg 614w\" sizes=\"auto, (max-width: 184px) 100vw, 184px\" \/><\/td>\n<td style=\"width: 56.2069%; height: 437px;\">\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0099348\/\">Dances with Wolves<\/a> (1990) is spoken of as a watershed for Native Americans in the movies, one of the first to attempt in-depth portrayals of Native American characters and culture \u2013 and to hold a good portion of the dialogue in Lakota, with English subtitles. The story is that of Civil War lieutenant John Dunbar, next assigned to the western frontier, where he befriends a local Lakota tribe who give him the name \u201cDances with Wolves.\u201d Dunbar adopts the lifestyle and customs of the tribe, but trouble arises when the U.S. Army arrives and Dunbar is captured and ordered executed as a deserter. Rated PG-13.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 43.7931%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19186\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/little-big-man-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/little-big-man-211x300.jpg 211w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/little-big-man-719x1024.jpg 719w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/little-big-man-768x1094.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/little-big-man.jpg 1053w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/td>\n<td style=\"width: 56.2069%; height: 317px;\">\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0065988\/\">Little Big Man<\/a> (1970) traces the life of Jack Crabb (Dustin Hoffman), a 121-year-old man whose family was killed by the Pawnee when he was ten years old. He\u2019s rescued and adopted by the Cheyenne (long-time enemies of the Pawnee) \u2013 and from then on is torn between the worlds of the Native Americans and that of the invasive whites. Rated PG-13.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 43.7931%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19191\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/reel-injun-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/reel-injun-207x300.jpg 207w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/reel-injun.jpg 307w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><\/td>\n<td style=\"width: 56.2069%; height: 317px;\">\n<p><a href=\"https:\/\/www.pbs.org\/independentlens\/films\/reel-injun\/\">Reel Injun<\/a> (2009), created by Cree filmmaker Neil Diamond, is a documentary about the portrayal of Native Americans in the movies, from the age of silent film to the present day. Recommended for ages 15 and up.<\/p>\n<p>See the accompanying <a href=\"http:\/\/www3.nfb.ca\/sg\/100671.pdf\">teacher\u2019s guide<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 317px;\">\n<td style=\"width: 43.7931%; height: 317px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19231\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/We-Shall-Remain-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/We-Shall-Remain-204x300.jpg 204w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/We-Shall-Remain-697x1024.jpg 697w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/We-Shall-Remain-768x1129.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/We-Shall-Remain-1045x1536.jpg 1045w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/We-Shall-Remain.jpg 1200w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/td>\n<td style=\"width: 56.2069%; height: 317px;\">\n<p>From PBS\u2019s The American Experience, <a href=\"https:\/\/www.pbs.org\/wgbh\/americanexperience\/films\/weshallremain\/\">We Shall Remain<\/a> (2009) is a five-part overview of 300 years of Native American history from an indigenous point of view. Episode titles are \u201cAfter the Mayflower,\u201d \u201cTecumseh\u2019s Vision,\u201d \u201cTrail of Tears,\u201d \u201cGeronimo,\u201d and \u201cWounded Knee.\u201d<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<h3 class=\"wp-block-heading\">Arts, Crafts, Activities<\/h3>\n\n\n\n<p>See Native American History (above) for Anita Yasuda\u2019s <em>Explore Native American Cultures!<\/em> and Yvonne Wakim Dennis\u2019s <em>A Kid\u2019s Guide to Native American History<\/em>, both of which pair historical and cultural information with hands-on projects and activities.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 44.4828%;\">\u00a0<\/td>\n<td style=\"width: 55.5172%;\">\n<p><a href=\"http:\/\/www.nativetech.org\/\">Native Tech<\/a> is a website devoted to Native American technology and art, with separate categories for Beads and Beadwork, Birds and Feathers, Clay and Pottery, Stonework and Tools, Weaving and Cordage, and more.<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 44.4828%;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19140\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-1-300x250.jpg\" alt=\"\" width=\"300\" height=\"250\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-1-300x250.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 55.5172%;\">\n<p>The Denver Art Museum has a vast collection of Native American art, consisting of over 18,000 pieces by artists from over 250 indigenous nations. Browse the collection <a href=\"https:\/\/www.denverartmuseum.org\/en\/collection\/indigenous-arts-north-america\">here<\/a>.<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 44.4828%;\">\u00a0<\/td>\n<td style=\"width: 55.5172%;\">\n<p>From Khan Academy, see <a href=\"https:\/\/www.khanacademy.org\/humanities\/ap-art-history\/indigenous-americas-apah\/north-america-apah\/a\/terms-and-issues-in-native-american-art\">Terms and Issues in Native American Art<\/a>, a well-done kid-friendly article on stereotypes, sacred art, repatriation, and problematic terminology.<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 44.4828%;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19142\" src=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-3-300x232.jpg\" alt=\"\" width=\"300\" height=\"232\" srcset=\"https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-3-300x232.jpg 300w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-3-1024x791.jpg 1024w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-3-768x593.jpg 768w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-3-1536x1187.jpg 1536w, https:\/\/www.rebeccaruppresources.com\/blog\/wp-content\/uploads\/2021\/04\/art-3.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 55.5172%;\">\n<p>See <a href=\"https:\/\/www.metmuseum.org\/toah\/keywords\/native-american-art\/\">Native American Art<\/a> from the Metropolitan Museum\u2019s Heilbrunn Timeline of Art History.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Native American history, historically, has been poorly taught in our schools, if at all. Anna Diamond, in an article in Smithsonian Magazine, Inside a New&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19129,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[773],"tags":[],"class_list":["post-19128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history"],"_links":{"self":[{"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/posts\/19128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/comments?post=19128"}],"version-history":[{"count":20,"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/posts\/19128\/revisions"}],"predecessor-version":[{"id":19254,"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/posts\/19128\/revisions\/19254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/media\/19129"}],"wp:attachment":[{"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/media?parent=19128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/categories?post=19128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rebeccaruppresources.com\/blog\/wp-json\/wp\/v2\/tags?post=19128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}